Book review of Griso by Roger Mello


Griso the unicorn is the last of his kind. Unhappy with his lonely life, he goes in search of another like him. As he travels across the plains, he encounters many animals in his search: antelope, buffalo and even “sea-unicorns.” But no matter where he goes, he finds “not a single unicorn—apart from Griso.” Suddenly, a person appears—a knight with a lance! But as Griso comes closer, the knight lifts his weapon to try and make a trophy out of the unicorn! Griso flees to safety and disappears into the fog. As it clears, Griso sees a shadow following him. Could it be a friend? 

Each spread in Roger Mello’s Griso: The One and Only takes inspiration from a different period of art. From prehistoric cave drawings to ancient Grecian vase paintings to 20th century surrealism, the artwork takes a journey as compelling as that taken by the majestic unicorn himself. Back matter includes a list of all the styles represented, as well as a heartwarming note from Claudia de Moraes (with whom Mello has often talked about unicorns) imploring readers to seek out unicorns themselves “in books, in paintings, in quotations.”

Originally published in Portuguese and translated into English by award-winning writer and translator Daniel Hahn, Griso is a perfect introduction for children to the diversity to be found within art history. Readers will enjoy exploring the different styles and the colors, shapes and patterns of each unique illustration. It’s a delightful reminder that all art tells a story. 

Lovers of unicorns and other mythical creatures will certainly enjoy this picture book, as well as art appreciators of all ages. For anyone who has felt like an outsider, Griso reminds us that some of the best friendships bloom from our differences. Griso will leave readers feeling hopeful and optimistic, looking for unicorns in their own lives.



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