In addition to her beautiful language and intricately constructed characters, one of Tana French’s great skills is her knack for an evocative setting. Think the deceptively quaint mountain village of Ardnakelty in The Searcher and The Hunter, or the siren call of cozy, idyllic Whitethorn House in The Likeness. But Broken Harbor is perhaps French’s finest achievement in terms of the setting as microcosm for the work at large. A luxury seaside development, Brianstown was supposed to represent the ultimate in upper-middle-class achievement for the Spain family, most of whom were murdered in their home by an unknown intruder. But a burst housing bubble left Brianstown’s construction only halfway completed: The neighborhood looks more like the decrepit cityscapes of Inception than the idyllic capitalist dream on the brochure, and instead of being part of a thriving community, the Spains were some of the only inhabitants of the urban equivalent of a sandcastle disintegrating on the beach. Things get even eerier when you get inside their house, which is literally full of holes, some of which have baby monitors placed next to them. There is an answer as to what the Spains were looking for, but the point is that they couldn’t stop searching, that materialistic striving can so quickly turn into paranoia, even as the walls literally crumble around you.
—Savanna, Managing Editor
Still Life
Still Life, the first mystery in Louise Penny’s beloved Armand Gamache series, draws Chief Inspector Gamache of the Sureté du Québec to Three Pines, a remote village in the mountains of Québec, whose eclectic residents cherish their solitude. What more does one need than a bistro owned by a lovable gay couple, a solid boulangerie, a musty used bookstore and a volunteer fire department headed by a misanthropic old poet with a penchant for cursing out her adoring neighbors? Here, one of these neighbors is found dead in the forest—a hunting accident, say the authorities, as one does when death visits a woman in the woods. Rather than view Three Pines as a backwater town that time forgot (even connecting to the internet becomes a plot point), the morals-driven leader and ruthlessly clever Gamache is eager to get to know a community that is much more than the sum of its parts. As seen through his eyes, readers will be taken by the wholesome charms and stark beauty of the village, despite murder after murder occurring in the next 17 books of the series. The audiobook, read by the exceptional Ralph Cosham, is as delicious as the bistro’s warm ham and brie baguette.
—Erica, Associate Editor
The Secret History of Twin Peaks
Speaking as a born-and-raised Washingtonian, there’s no place like the Pacific Northwest. In particular, there’s no place like the Pacific Northwest for setting a mystery. There’s something about the towering old-growth Douglas firs and the ever-present mist and drizzle that makes a cup of good diner coffee and a great slice of pie that much more comforting—and makes an unsolved case that much more bone-chilling. If you haven’t had the pleasure of experiencing the eerie beauty of western Washington in person, Mark Frost and David Lynch’s Twin Peaks will just about transport you there. And if you’re a super fan who’s already seen every episode more than once, you can move on to Mark Frost’s book The Secret History of Twin Peaks. It’s written as a dossier compiled by a mysterious “Archivist” with commentary from the FBI agent assigned to review the file and determine the Archivist’s identity. The photos, newspaper articles and journal entries begin in the 1800s and continue through the action of the TV series in 1989. Read it to feel a misty northwestern chill creep up your spine.
—Phoebe, Associate Editor
House of Roots and Ruin
The sequel to Erin Craig’s House of Salt and Sorrows, House of Roots and Ruin is a story of introspection, deception and supernatural enigmas. Verity Thaumas has struggled to find her place in the shadows of her successful older sisters, especially Camille, the duchess of their family estate, Highmoor. When Verity is offered a job from the Duchess of Bloem to paint a portrait of her son, Alexander, Camille panics and confesses that Verity sees ghosts and can’t differentiate them from real people, making her a liability to the family name if she were to go out on her own. Consumed with doubt, fear and resentment, Verity flees Highmoor later that night. With nowhere to go, she makes her way to Bloem, an ethereal region of lush scenery and bright colors; it’s a stark difference from the salty, dreary mood of her homeland. But it doesn’t take long for the dreamy Bloem estate, Chauntilalie, to expose its dark side, from Duke Gerard’s poisonous botanical experiments to the ghosts stuck in a time loop. Amid her growing love for Alexander, Verity confronts the challenges of her new home, all while trying to keep her abilities hidden. But if Verity isn’t careful, she might not only reveal her identity, but also uncover family secrets that could threaten Chauntilalie as a whole. Readers will relish how Craig juxtaposes eerie details with her extravagant setting in this gothic, fantastical and romantic story.
—Jena, Sales Coordinator
